Tearoom/Chair
Features
Upholstered
Yes
Seat Fill Material
Foam
Pattern
Solid Color
Back Fill Material
Foam
Back Type
Tight back
Frame Material
MDF; Plywood
Ottoman Included
No
Swivel
Yes
Seat Construction
MDF; Web Suspension; Manufactured Wood
Removable Cushions
No
Toss Pillows Included
No
Durability
No Additional Durability
Product Care (Champion 1-3114-041 Polyester Fabric)
Vacuum frequently with a soft brush and low power. Do not rub vigorously as this could result in loss of color and/or surface damage. Wash at 30°C (gentle cycle). Do not iron. Do not bleach. Clean with care using perchloroethylene.
Supplier Intended and Approved Use
Residential Use
Number of Chairs Included
1
Base Style
Round
Leg Material
Metal
Leg Material Details
Steel
Cushion Construction
Foam
Cleaning Code
X: Clean by lightly brushing and/or vacuuming to remove dust
Made to Order
Yes
Imported
Yes
Designer
Nick Ross
Designer Type
In-House
Leg Color / Finish
Black
Assembly
Assembly Required
No
Warranty
Commercial Warranty
No
Product Warranty
Yes
Warranty Length
10 Years
Full or Limited Warranty
Limited
Dimensions
Overall
30.7'' H X 28.5'' W X 27.6'' D
Seat
16.7'' H X 28.5'' W X 23'' D
Back Dimensions
14'' H
Overall Product Weight
52.9 lb.
Additional Features
- No-sag springs.
- Nick Ross (1986) is a Scottish-Swedish, Stockholm-based designer who studied industrial design at Gray's School of Art in Aberdeen and was awarded the Arts & Heritage prize for his graduation project, Stray, in 2008. Later on, he enrolled in a fine arts Master's program in interior architecture and furniture design at Konstfack in Stockholm, in 2013. Immediately after graduating, he began working as an assistant to Swedish designer Matti Klenell until establishing his own self-named, Stockholm-based studio in 2014. Ross is a designer with a penchant for scarce spaces that focus on the use of materials and light in a given expanse. His research centers on the complex repertoire of history, with a particular focus on ancient history, where he finds the factors with which to interpret the relationship between the user and contemporary design. Using storytelling as a pretext and applying a confidently critical approach, Nick is interested in investigating facts and happenings that have determined specific cultural balances. Every project comes from the desire to create ideal or real bridges between the present to that of the past. At first glance, Nick Ross appears to have a great eye for presentation. A closer look reveals a sensitivity to materials that makes bold moves appear delicate. He considers how historical interpretations alter our current perceptions of objects. The main interest lies in how guesswork or cultural 'curation' can create situations where we are influenced to think in certain ways and feel certain things." According to the designer, "My work looks at the role of history and storytelling in how we perceive the world around us, by working with themes such as place, origin, and the role fiction plays in past and present societies.
- Champion: 100000 Martindale; lightfastness (5).
- Hallingdal: 100000 Martindale; lightfastness (5-7); pilling (3-4).batch to batch.
- Safire: 40000 Martindale; lightfastness (6); pilling (3).
- Textiles are dyed individually, which can cause slight variations in color from batch to batch.